Buckle up, music lovers—because The Format are staging a triumphant return that's stirring up nostalgia and sparking fresh debates in the indie scene! If you've ever felt the pull of heartfelt rock anthems that blend rebellion with raw emotion, this comeback is poised to hit you right in the feels. But here's where it gets intriguing: their new album, Boycott Heaven, isn't just a reunion project—it's a bold statement on life's big questions. And this is the part most people miss—it's not just about the music; it's about challenging us to rethink our place in a chaotic world. Let's dive into the details and see why this release has fans buzzing.
The Format, the beloved indie pop duo featuring Nate Ruess (known for his soaring vocals in fun.) and Sam Means, have officially announced their comeback with Boycott Heaven, their first full-length album since 2006's Dog Problems. Set for release on January 23, 2026, through their own label, The Vanity Label, this project marks a significant milestone for the band. To give you some context, indie pop is a genre that often emphasizes catchy melodies, introspective lyrics, and a DIY spirit, and The Format have always embodied that with their blend of pop sensibilities and rock energy. Produced by the legendary Brendan O’Brien—who's lent his magic touch to giants like Pearl Jam, Bruce Springsteen, and The Killers—the album features O’Brien himself on bass, alongside powerhouse drummer Matt Chamberlain. This collaboration promises a polished yet authentic sound that could redefine their legacy.
As a sneak peek, the band has dropped their new single, 'Holy Roller,' which you can stream right below. It's a track that captures the essence of the album's carpe diem philosophy—urging listeners to seize the moment instead of waiting for divine intervention. For beginners exploring this theme, 'carpe diem' is a Latin phrase meaning 'seize the day,' often encouraging us to live fully in the present rather than procrastinating or hoping for miracles. In the song, Nate sings lines like, 'Holy roller, don’t go wasting all your time / Praying for a sign / I’m burning up faster than a candle in the night / I’ll be gone before sunrise.' These words paint a vivid picture of urgency and impermanence, reminding us that life is fleeting and we should make the most of it—perhaps even questioning the value of blind faith versus taking action.
To bring this track to life visually, check out the music video directed by Vanessa Pla, featuring The Format performing with infectious energy. It's a perfect complement to the song's message, making the themes even more accessible and engaging.
If you're eager to catch them live, The Format have just one more date on their fall reunion tour: a sold-out show at Hollywood Forever Cemetery in Los Angeles on October 10, with support from Phantom Planet. You can still snag tickets through Stubhub if any become available. Plus, they'll be making an appearance on The Tonight Show Starring Jimmy Fallon on Monday night, which is sure to introduce their sound to a whole new audience. For those who want to get their hands on the album early, pre-orders are live now—head over to Amazon to secure your copy.
The album's artwork, which you can see below, hints at the eclectic mix of themes inside. According to the press release, Boycott Heaven is packed with existential protest songs that tackle life's deeper dilemmas, power chord-driven rockers that get your adrenaline pumping, love letters to family and friendship that warm the heart, and an unwavering belief in the possibility of something better. It's like a musical journey through hope, rebellion, and connection—perfect for anyone who's ever questioned the status quo or longed for change.
But here's where it gets controversial: the title 'Boycott Heaven' itself raises eyebrows. Is it a call to reject traditional notions of paradise, perhaps critiquing organized religion or societal norms? Or could it be a playful nod to opting out of complacency in favor of earthly action? This interpretation might divide fans—some might see it as empowering, while others could view it as provocative or even sacrilegious. What do you think? Does the album's blend of protest and positivity resonate with today's social climate, or is it too bold for its own good? And this is the part most people miss: in an era of polarized opinions, how do we reconcile art that challenges our beliefs with the joy of reunion tours?
I'd love to hear your take—do you believe The Format's comeback will reignite the indie pop flame, or are you skeptical about revisiting old favorites? Share your thoughts, agreements, or disagreements in the comments below. Let's discuss!
